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Introduction to the Art section.
Introduction to the Art section

At this point, even though the art section has over 10000 uploaded images, my website contains only a small fraction of my total artwork; most of it is still written on notes, as art ideas that I need to edit, create, and publish.... Before you dive into the different artworks which are separated by genres, I want to clarify that, more or less I consider most of my work (with the exception of some caricatures, pictures, and so forth), to be bulked under the grand category of a performance art; I would even say that unless I am asleep at night, during the day I am doing one giant – my life – performance, where I am augmenting my own life to fit the criteria of my socially-oriented agendas. (I didn't come up with the my life phrase until 2002, even though my motivation to shift my art from surrealistic and dadaistic to socially-conscious, had already been going on since the late 1990s.) Think of the autobiographical information that I disclose in this website as a clarifier about my grand performance art that contains various other artworks. But even though this grand idea is so broadly enveloping, I don't really view it as something that important, as I prefer to pay more attention on the individual artworks that are contained within my life.... Within that grand performance is a blend of many other performances and conceptual artworks that may not have a solid boundary in between to be classified as performance or conceptual artwork. But despite that I bulk many of my artworks within the blend of performance and conceptual artwork, for the purpose of easing the viewing experience, I have divided the separate artworks to various art categories; I am doing this for the enhanced viewing experience even though I know that a “caricature” for me may not be that, but just a cog in the machine where I am driving my socially-oriented agendas. But I am deliberately compelling myself to call the “caricature” a caricature, because I don't want to be confusing my viewers who for the most part wouldn't be interested in the depths and sediments of my philosophical blabber. My initial intentions to promote my work only to art critics, art historians, philosophers, and social activists, still stands, but I also understand that I will not be lucky in this aspect, and most of my artworks will end up being viewed by the average “art lovers.” So, again, just to ease the viewing experience on this website, I am separating the artworks into different genres even though, in my head, I am not really separating them. But in addition to how I view most of my artwork – as a giant performance that tries to influence people to become like me – I also, once in a while, alert the viewers that what they are viewing may not be what they are viewing. Why, for example, a picture would be bulked under performance art? Because when I string together many pictures, particularly if they are from a series, I am augmenting the frozen time depicted in the picture by also including the action that is involved in the collection of the pictures.... As I mentioned in my Main introduction, with exceptions, most of my art has an agenda attached to it, and there is no day that my mind will not be preoccupied with it to remind me that I need to keep pushing the infiltration... which is a performance art by itself.... Let's look at another example – my art project which contains the highest amount of pictures: “Modern” Art... and the wasted time creating it while “modern” life killed quite a bit many. I started this project in 2006 and I plan to keep going with it. It can also be found in the Art Series page. How could this project be bulked into the performance art category for social cause? I stumble onto a scene that I like: the scene is a combination of space, shapes, and colors that I like. I take a picture which I may edit later and also use for graphic design purposes. The making of that single picture, plus the combination of all the pictures in the series is, as the title clarifies: “Modern” Art... and the wasted time creating it while “modern” life killed quite a bit many: that makes it a performance art for mocking our culturally-followed artistic obsessions that have no social benefit, but just satisfaction of retinal pleasure. You may ask, why would art have to deal with resolving social issues? Why not... if the corporatocracy – the combination of business and government – don't bother with resolving social issues? If they don't, you do: You step up to the task and show the world a way of living which does not prevent people from the access to their living necessities. If business, government, and their politics, don't do it, then why not art: not the “modern” art, but the socially-oriented art. In 1982, as a form of “art,” Joseph Beuys with his team planted 7000 trees as a Social Sculpture, and he also created the Free International University; by the way, the Free International University is probably my favorite art project of all time by an artist other than me. It has zero aesthetics: just education and enlightenment for better living.... So, since art has no boundaries, nothing stops you from utilizing it for social cause.... My Between 2 Years ongoing project is also a series in which a single picture with long exposure is taken between 2 years: the depicted action is a photographic recording of our lives between the years. In this case, I would say that the Between 2 Years “photo” is also a Performance art.... At first sight, my artwork, Perpetual War For Perpetual Peace may not seem like a performance art, but the fact that I would once in a while add more explosions on the artwork (according to the number of people killed that we hear on the news), makes it also a performance art..... In this introductory page to the varieties of my art projects, I will also take the opportunity to introduce some of my Favorite artworks. So, with the inclusion of many kinds of artworks that are not similar to each other, thematically, this section will be quite dispersed. You will immediately notice that on a lot of my conceptual artworks I use text; text for me is very important – clarifier of the message that I am trying to convey. Although I wasn't particularly influenced by the artworks of Barbara Kruger and Jenny Holzer, in the creation of my conceptual artworks I did pickup their simple style of showing an image, and clarifying it with text.

My Magnum Opus Situational Performance Art about the faulty interactions and connections between women and men.
Title undisclosed yetSituational performance art

My favorite art project ever is described in an upcoming semi-autobiographical novel and a separate booklet. The title of the performance will not be disclosed until the publishing of the book. There will be complementing art material that will be released alongside the publishing. This situational performance is my “bread and butter” which has lasted for approximately quarter of a century already. The performance is about me versus the unsound interactive and connective behaviors of poorly-educated women. I want to emphasize that this is a situational performance art, and I am not performing it 24-7. I have performed this only in particular situations with women; and it is a behavioral performance with no cameras involved and no illegal actions. Since there is no recording devices for this performance (except for my brain), writing down about my experiences was the only solution for me to show what the performance is about.

My Situational Performance Art about the monetary culture.
Title undisclosed yetSituational performance art

This is my second favorite situational performance art. The title will not be disclosed until the publishing of the performance in a semi-autobiographical novel, and as a separate booklet too. Here, it is me versus the profiting parochial identity behaviors of others. This performance started in 2004 and was interrupted in 2023. Just as my other situational performance art, I want to emphasize that this one too is a situational performance art, and I am not performing it 24-7. This performance was performed during my working employment from 2004 to 2023, and it is, again, a behavioral performance with no cameras involved.

Infiltrating the 2016 elections with heavy duty wisdom!
Infiltrating the 2016 elections with heavy duty wisdom!ID: CC5-159

This (performance and/or conceptual art) is one of my favorite artistic efforts: In 2016 I couldn't bear the ineffective political system anymore, and I was very desperate to enlighten the masses with some really heavy duty wisdom.... And suddenly, “election infiltrating” was becoming a new cultural trend. Election infiltrating was everywhere on the news; it prompted me to do my social duty of infiltrating — by secretly placing the pictured items in the election room. To clarify, these items were hidden, not in the view of the voters. Poor things, I wouldn't want to distract them, right? They wouldn't be able to handle it. So, of course that they had to be hidden, otherwise I'd end up on the news.... In addition to the profound quotes by Robin Williams, Emma Goldman, and Charles de Gaulle, Operation Manual For Spaceship Earth by Buckminster Fuller, and Sonata No 14 “Moonlight” by Bethooven, ended up sleeping comfortably together in a voting room during the entire voting.... Keep sleeping voters! (By the way, to reiterate, a lot of my art is cross-genre; as a mixture of conceptual and performance art, this work isn't exempt from the genre crossing either.)

Government shaming: how I donated 544 sick-day hours to my greedy government.
Government shaming by donating my 544-sick day hoursID: CC5-271

When I was hired for a full time position in 5-2016, I decided to do a government shaming situational performance art where I will not take any sick days, and instead at the end of my employment I will donate all of my sick-hours back to the government. Coincidentally, I actually did get severely sick during my work, but grinding my teeth in sarcasm I coped through it.... In 4-2023, leaving my job I donated my accumulated 544 sick-day hours! (Since the disclosed action of this work is a situational performance art while the image presentation is conceptual art, I have copied this work to be shown in both, the situational performance and the conceptual art sections.)

My $17.01/hr value after 30 years of work!
My value after 30-years of work!ID: CC5-271

I had been planning this work for a while; the longer I waited, the better it became (like aged wine).... $17.01/hr is my value after 30 years of work! (I am smiling sarcastically.) No kidding, right? What is your value submissive wage slaves?

My 2022 request for jury duty disqualification.
My 2022 request for jury duty disqualificationID: CC5-066
My 2019 request for jury duty disqualification.
My 2019 request for jury duty disqualificationID: CC5-066
Thank you government for keeping me poor!
Thank you government for keeping me poor!ID: PC

Big round of applause to our beloved government for perpetuating my wage-slaving and for keeping me poor: Thank you so much! I love the sarcastic text on the top of a snapshot of my earnings... for over 30 years of work! If you want to know more about why government and businesses are in bed with each other, and why the government (or any government) would never bother to pay enough money to its wage slaves, you can check out my semi-autobiographical and nonfiction books regarding the monetary culture.

Deceptive motivational messages attached to wage-slaves’ paychecks.
Deceptive motivational messages attached to paychecks...ID: CC5-144

I love this! Gotta keep the motivation of the wage-slaves high, right? Here, I did it: Deceptive motivational messages attached to wage-slaves’ paychecks is a blend of performance art and conceptual art. I took the risky opportunity to attach these tiny messages to the paychecks of some of my wage-slaving coworkers. On the good side, nobody took it seriously and I didn't end up being interrogated in the offices of upper management; but on the bad side, because we don't take this seriously – the wage-slaves remain... wage-slaves.

Profit-extracting governmental mental.
Profit-extracting governmental mentalID: PC

When I had to mail government paperwork, I decided to remind them what they are: PROFIT-EXTRACTING GOVERNMENTAL MENTAL! But since I didn't want to be visible because I am not the type to engage in crime, I decided to respond to them with invisible ink. So, I carefully calculated the words and letters that needed to match the amount of pages I was mailing; and I wrote my sarcastic comment to them on each back-side of the government paperwork. As of now, this artwork remains somewhere in a government warehouse – as an installation that is hidden from hindsight. Of course, that it needs to be hidden from the view, because the government wouldn't want to face the accusation that it is a profit-extracting mental.